{"id":5844,"date":"2025-10-21T09:53:07","date_gmt":"2025-10-21T09:53:07","guid":{"rendered":"https:\/\/simonabertozzi.it\/?p=5844"},"modified":"2025-10-21T15:18:15","modified_gmt":"2025-10-21T15:18:15","slug":"gianluca-valle-la-danza-che-dischiude-persinsala","status":"publish","type":"post","link":"https:\/\/associazioneculturalenexus.org\/en\/gianluca-valle-la-danza-che-dischiude-persinsala\/","title":{"rendered":"Gianluca Valle | La danza che dischiude | Persinsala"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Gianluca Valle<\/strong> | <b>Persinsala <\/b>reviews <strong>Quel che resta<\/strong> at <strong>Romaeuropa Festival<\/strong><\/p>\n<p>\u201cMallarm\u00e9 once said that <em data-start=\"205\" data-end=\"245\">\u2018the dancer is not a woman who dances\u2019<\/em> (<em data-start=\"247\" data-end=\"256\">Ballets<\/em>), because she is not a woman but a metaphor, and because she does not dance, but writes with her body.<br data-start=\"359\" data-end=\"362\" \/>Simona and Marta, too, transform on stage into an impersonal subject that is never itself, but always other.<br data-start=\"470\" data-end=\"473\" \/>Their performance is a pre-verbal writing that speaks without signifying\u2014a return to the pure circulation of sense and sensation. <em data-start=\"605\" data-end=\"621\">Quel che resta<\/em> is the horizon of vision to which we are brought back by this formidable dancing duo\u2026\u201d<\/p>\n<\/div><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;font-size:1em;\"><a href=\"https:\/\/teatro.persinsala.it\/quel-che-resta\/63757\/\" class=\"awb-custom-text-color awb-custom-text-hover-color\" target=\"_blank\">Full article<\/a><\/h1><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAn essay [\u2026] on how expressive research in contemporary dance can rest on dramaturgical foundations that are barely perceptible, yet capable of provoking deep questions.\u201d<\/p>\n","protected":false},"author":5,"featured_media":3147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[128],"tags":[],"class_list":["post-5844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-room-en"],"_links":{"self":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/5844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/comments?post=5844"}],"version-history":[{"count":3,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/5844\/revisions"}],"predecessor-version":[{"id":5847,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/5844\/revisions\/5847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media\/3147"}],"wp:attachment":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media?parent=5844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/categories?post=5844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/tags?post=5844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}