[vc_row][vc_column][vc_column_text]<\/p>\n
PROMETHEUS: THE GIFT<\/strong><\/p>\n Project\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Simona Bertozzi, Marcello Briguglio With the contribution of\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MIBACT and Regione Emilia Romagna Artistic residency\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cango\/ Centro di produzione sui linguaggi del corpo e della danza, With the support of\u00a0 H(ABITA)T \u2013 Rete di Spazi per la Danza\/Mousik\u00e9<\/p>\n Length\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 40 min.<\/p>\n Man seizes some visions, the power of which produces his own power.<\/em><\/p>\n On them he coordinates his history, and they establish its geometrical location. Paul Val\u00e9ry<\/em><\/p>\n Prometheus\u2019 task is to give humanity the capability of creating, forging, nurturing and building. The will is venturing into a practice<\/em>in which the action becomes complex due to the care for the creativity.<\/p>\n In the second tableau of the Prometheus<\/em>, the reflection on the concept of gift becomes real finding a define trail using a language that, through the bodies, becomes a place of sights and variable matching images.<\/p>\n A territory made by frequencies and cadences, in which bodies produce powerful and connected compositions. A plot of lonelinesses and combinations that are fueled from reactions and the inebriation of complexity. It\u2019s better to fall again into the vertigo\u2026<\/p>\n It\u2019s a frenetic act the one that joins the three performers. From postures continuously unbalanced by their inability of stopping, to tense moments: fragilities<\/em> that mold the dots in the phrasing and give the possibility to change their acting towards the others.<\/p>\n (Simona Bertozzi)<\/p>\n <\/p>\n “Mentioning Paul Val\u00e9ry, Simona Bertozzi spreads a choreographic humanism in which \u00abman carries away visions, whose power becomes his power. He connects it with his history, of which his visions are the geometrical site<\/em>\u00bb. Straight and crossed lines set the dancer in the middle of an argument, melting the intellectual knowledge and the practice, creating a space that has a structure containing the body but also contained by it”.<\/p>\n Lucia Medri, Teatro e Critica \u2013 10 July 2016<\/p>\n “The technique donated by Prometheus to the mortals becomes a stream of impressions, a reactivity knot. Simona Bertozzi\u2019 choreographic invention sets dynamics, grasps perspectives, mediates weakness and the impossibility to give up and stop”.<\/p>\n Valentina De Simone, Che Teatro Fa \u2013 Repubblica.it \u2013 October 2016<\/p>\n \u00a0[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column]<\/p>\n","protected":false},"excerpt":{"rendered":" In the second tableau of the Prometheus, the reflection on the concept of gift becomes real finding a define trail using a language that, through the bodies, becomes a place of sights and variable matching images…<\/p>\n","protected":false},"author":2,"featured_media":1297,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[116,184,200,231,117,198,123,122,121,118,119,201,275],"class_list":["post-1477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-contemporary-dance","tag-danza-contemporanea-en","tag-danza-di-ricerca-en","tag-francesco-giomi-en","tag-italian-choreography","tag-italian-contemporary-dance-en","tag-italian-contemporary-music","tag-italian-dance","tag-italian-performative-arts","tag-performative-arts","tag-prometheus","tag-simona-bertozzi-en","tag-stafania-tansini"],"_links":{"self":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/comments?post=1477"}],"version-history":[{"count":0,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1477\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media\/1297"}],"wp:attachment":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media?parent=1477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/categories?post=1477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/tags?post=1477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nConcept and choreography\u00a0\u00a0\u00a0 Simona Bertozzi
\nDance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aristide Rontini, Stefania Tansini, Simona Bertozzi
\nMusic\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Giomi
\nLight design\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Antonio Rinaldi
\nManagement\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beatrice Capitani
\nPress\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Michele Pascarella
\nProduction\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nexus 2015<\/p>\n
\nWith the support of\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cango\/ Centro di produzione sui linguaggi del corpo e della danza<\/p>\n
\nArmunia-Dimore d\u2019Autunno, Laminarie-Dom La Cupola del Pilastro,<\/p>\n
\n<\/em><\/p>\n