{"id":1266,"date":"2018-05-14T12:44:27","date_gmt":"2018-05-14T12:44:27","guid":{"rendered":"https:\/\/simonabertozzi.it\/?p=1266&lang=en"},"modified":"2025-02-04T11:32:30","modified_gmt":"2025-02-04T11:32:30","slug":"animals-without-fable","status":"publish","type":"post","link":"https:\/\/associazioneculturalenexus.org\/en\/animals-without-fable\/","title":{"rendered":"Animals without fable"},"content":{"rendered":"

ANIMALS WITHOUT FABLE<\/strong><\/p>\n

Concept\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Simona Bertozzi, Marcello Briguglio<\/p>\n

Choreography\u00a0\u00a0\u00a0 Simona Bertozzi<\/p>\n

Dance\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Miriam Cinieri, Francesca Duranti, Lucia Guarino, Stefania Tansini, Simona Bertozzi<\/p>\n

Music\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Francesco Giomi<\/p>\n

Light and set\u00a0\u00a0\u00a0\u00a0\u00a0 Antonio Rinaldi<\/p>\n

Theoretical collaboration Enrico Pitozzi<\/p>\n

Costumes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Micol Guizzardi
\nOrganization \u00a0\u00a0\u00a0 Federica Furlanis
\nPress\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Michele Pascarella<\/p>\n

Duration 50\u2019<\/p>\n

Production Nexus 2014<\/p>\n

With the contribute of Fondo per la Danza D\u2019autore\/Regione Emilia Romagna<\/em>
\nWith the support of ERT – Emilia Romagna Teatro Fondazione<\/em>
\nIn collaboration with \u00a0Comune di Bologna<\/em><\/p>\n

 <\/p>\n

Animali senza favola<\/i> (Animals without fable<\/i>) is an intense choreography project that aims to research an exploration of the concept of animality. \u00a0Animality felt as a condition of tactility and expressed through an intense and strongly dynamic exercise. A kind of slipperiness that doesn’t fit to the boundaries of a story, of a narrative, and tends to shift the condition of communication inside the pure impulse of the anatomy and its inner capacity to become a never ending fluency.<\/p>\n

Taking inspiration from the spanish philosopher Maria Zambrano and, in particular, her work titled Los claros del bosque, this condition of animality assumes in the choreography writing and in its poetical goal, a feminine connotation as it becomes the choral strenght to a pulse to life in a constant reiteration of rebirth.<\/p>\n

On stage five female dancers of different ages, deeply engaged in a ritualistic path of gestural communication and choreography writing.<\/p>\n

(Simona Bertozzi)<\/p>\n

 <\/p>\n

“Simona Bertozzi\u00a0\u2013 capable of turning on a light with a slackening of her neck, with a twitch, with a sudden twisting”.<\/p>\n

Massimo Marino, Corriere di Bologna \u2013 December 2014<\/p>\n

“A somehow touching outcome, which takes 60 minutes and, at about two third of the time, we have the complete sensation to being in front of a masterpiece”.<\/p>\n

Renzo Francabandera, PAC \u2013 Paneacquaculture, June 29th 2015<\/p>\n

“Even in the dislocation and in the research of individual solutions, typical of the (at this point happily wise) style of this artist, the group seems to constitute the real body link from which, with hard runs, limb twists, lifts and suspensions, the single performers can detach themselves, creating each one a personal sliver of action”.<\/p>\n

Giulia Taddeo, Krapp\u2019s Last Post, 22 December 2014<\/p>\n","protected":false},"excerpt":{"rendered":"

Taking inspiration from the spanish philosopher Maria Zambrano and, in particular, her work titled Los claros del bosque, this condition of animality assumes in the choreography writing and in its poetical goal, a feminine connotation as it becomes the choral strenght to a pulse to life in a constant reiteration of rebirth.<\/p>\n","protected":false},"author":2,"featured_media":1303,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[116,184,203,200,211,231,117,123,122,121,276,118,201,275],"class_list":["post-1266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-contemporary-dance","tag-danza-contemporanea-en","tag-danza-contemporanea-italiana-en","tag-danza-di-ricerca-en","tag-enrico-pitozzi-en","tag-francesco-giomi-en","tag-italian-choreography","tag-italian-contemporary-music","tag-italian-dance","tag-italian-performative-arts","tag-maria-zambrano-en","tag-performative-arts","tag-simona-bertozzi-en","tag-stafania-tansini"],"_links":{"self":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/comments?post=1266"}],"version-history":[{"count":0,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media\/1303"}],"wp:attachment":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media?parent=1266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/categories?post=1266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/tags?post=1266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}