{"id":1264,"date":"2018-06-09T12:37:12","date_gmt":"2018-06-09T12:37:12","guid":{"rendered":"https:\/\/simonabertozzi.it\/?p=1264&lang=en"},"modified":"2025-02-04T11:30:35","modified_gmt":"2025-02-04T11:30:35","slug":"prometheus-architecture","status":"publish","type":"post","link":"https:\/\/associazioneculturalenexus.org\/en\/prometheus-architecture\/","title":{"rendered":"Prometheus: Architecture"},"content":{"rendered":"

PROMETHEUS: ARCHITECTURE<\/strong><\/p>\n

Project<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Simona Bertozzi, Marcello Briguglio<\/p>\n

Choreography<\/em>\u00a0 Simona Bertozzi<\/p>\n

Music<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Susumo Yokota and others<\/p>\n

Light designer<\/em>\u00a0\u00a0\u00a0 Antonio Rinaldi<\/p>\n

Management\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Federica Furlanis, <\/em>Beatrice Capitani<\/p>\n

Booking<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elena de Pascale<\/p>\n

Press office\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Michele Pascarella<\/p>\n

Production\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Compagnia Simona Bertozzi \/Nexus<\/p>\n

With the contribution of<\/em> MIBACT and Regione Emilia Romagna<\/p>\n

With the support of<\/em> Associazione Danza Urbana, Associazione Cantieri Danza, Ater-Circuito Multidisciplinare dell\u2019Emilia Romagna, H(ABITA)T \u2013 Rete di Spazi per la Danza\/Mousik\u00e9<\/p>\n

Special thanks to<\/em> La Soffitta delle Arti, Atelier, Centro Professionale Danza di Ravenna and Centro Mousik\u00e8 Bologna, from which the performers come from.<\/p>\n

Artistic residency<\/em>\u00a0 Centro Mousik\u00e8 Bologna, La Torre Ravenna, Almagi\u00e0 Ravenna<\/p>\n

Length<\/em>\u00a0 30\u2019<\/p>\n

 <\/p>\n

\u201cHear the sum of the whole matter in the compass of one brief word\u2014every art possessed by man comes from Prometheus.\u201d<\/em><\/p>\n

Aeschylus, Prometheus<\/em><\/p>\n

My approach to the Prometheus myth, results in the chance to consider the techn\u00e8<\/em> as a powerful and strict acting exercise, making it a situation of sharing, sociability and hurdle: a complex alphabet of exchange and cohabitation opportunities.<\/p>\n

In Prometheus: Architecture<\/em> the fifth out of six Prometheus\u2019 tableaus, the choreographic path will be performed by a group of young dancers, ten to sixteen years old, struggling with the sharing of a habitat<\/em>, a space completely full by their needs to give birth to micros selves narrations in which the testament given by their bodies reveals a growing species that communicates with the rules and peculiarities of the environment in which it lives. Sweet and stubborn.<\/p>\n

A choreographic picture that meld perspectives, researches and suspensions according to the city in which it takes place.<\/p>\n

(Simona Bertozzi)<\/p>\n

 <\/p>\n

“The fact that the choreographer is a remarkable expression of the Italian environment is well-known, and the fact that she challenged herself with a typical dance pedagogy is well-known too, but this work, this fifth tableau of a growing project amazes for the impressive quality of the craft and for the ability of the young interpreters”.<\/p>\n

Paolo Ruffini, Hystrio \u2013 October- December 2016<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

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