{"id":1260,"date":"2018-07-12T12:17:12","date_gmt":"2018-07-12T12:17:12","guid":{"rendered":"https:\/\/simonabertozzi.it\/?p=1260&#038;lang=en"},"modified":"2025-02-04T11:30:04","modified_gmt":"2025-02-04T11:30:04","slug":"anatomy","status":"publish","type":"post","link":"https:\/\/associazioneculturalenexus.org\/en\/anatomy\/","title":{"rendered":"Anatomy"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>ANATOMY<\/strong><\/p>\n<p><em>Dance and choreography<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Simona Bertozzi<\/p>\n<p><em>Live music and electronics<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Francesco Giomi<\/p>\n<p><em>Theoretical-compositional vision<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Enrico Pitozzi<\/p>\n<p><em>Light planning and space setting<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Antonio Rinaldi<\/p>\n<p><em>Voice \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Mirella Mastronardi<\/p>\n<p><i>Management<\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Beatrice Capitani<\/p>\n<p><em>Press Office\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>Michele Pascarella<\/p>\n<p><em>Production<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nexus 2016<\/p>\n<p><em>In collaboration with\u00a0\u00a0 <\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tempo Reale<\/p>\n<p><em>With the contribution of<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mibact e Regione Emilia Romagna<\/p>\n<p><em>Creative residences<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Teatro Rasi Ravenna,<\/p>\n<p><em>With the support of \u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 H(ABITA)T \u2013 Rete di Spazi per la Danza\/Mousik\u00e9<\/p>\n<p><em>Anatomy<\/em> is born from the meeting of two bodies: biology and sound. It\u2019s the diagram of their lines of strength, trajectories, and dislocations, tears in space and form where in time plays out; relationships between speed and slowness, this is anatomy\u2019s way of being.<\/p>\n<p><em>Anatomy\u00a0 <\/em>is then what is left of this encounter at the limits of hearing, on the margins of the eyes, where tensions occur in a continuous <em>tactile <\/em>relationship between organic matter and sound. Cutting, inciding, acustically dissecting body and its space to bring forth an image; such is the power, the impact of this encounter. What\u2019s left is a scene-landscape, a constellation. It\u2019s not enough to listen or hear to capture its irradiating brilliance, to feel its vibrations; one requires impossible eyes and ears.<\/p>\n<p>Enrico Pitozzi<\/p>\n<p>&#8212; &#8212;<\/p>\n<p>&#8220;On Simona Bertozzi or on the way she occupies the scene it could be written an anthropological essay, a flight manual, a natural science catalogue, a dynamic decomposition vademecum [\u2026] An unforgettable and unclassifiable show.&#8221;<\/p>\n<p>Rodolfo Di Giammarco, la Repubblica<\/p>\n<p>&#8220;Facing the manifestation of invisible movements of the human anatomy thinner parts, with its secrets dramaturgies, a dancer like Simona Bertozzi can make those parts totally clear.&#8221;<\/p>\n<p><a href=\"https:\/\/r.unitn.it\/it\/lett\/laboratorio-teatrale\/drammaturgia-del-corpo-umano-su-anatomia-di-simona-bertozzi\"><strong>read more<\/strong><\/a><\/p>\n<p>Enrico Piergiacomi, Universit\u00e0 degli Studi di Trento<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">&#8220;There\u2019s a lot of new and something ancient in this moving body which, searching a new gestural and creative grammar, becomes atom, generative particle, in a space made by a non-scenic place, but wisely well-lighted creating contrasts and magnetic visual oppositions from whose meeting, or clash, spring a lot of long and brief durations actions&#8221;.<\/p>\n<p style=\"text-align: left;\">Giuseppe Liotta, Hystrio<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anatomy is born from the meeting of two bodies: biology and sound. It\u2019s the diagram of their lines of strength, trajectories, and dislocations, tears in space and form where in time plays out; relationships between speed and slowness, this is anatomy\u2019s way of being.<\/p>\n","protected":false},"author":2,"featured_media":1301,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[184,200,211,231,117,123,122,121,204,201,124],"class_list":["post-1260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-danza-contemporanea-en","tag-danza-di-ricerca-en","tag-enrico-pitozzi-en","tag-francesco-giomi-en","tag-italian-choreography","tag-italian-contemporary-music","tag-italian-dance","tag-italian-performative-arts","tag-musica-contemporanea-en","tag-simona-bertozzi-en","tag-solo"],"_links":{"self":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/comments?post=1260"}],"version-history":[{"count":0,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1260\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media\/1301"}],"wp:attachment":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media?parent=1260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/categories?post=1260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/tags?post=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}