{"id":1258,"date":"2018-05-20T12:12:07","date_gmt":"2018-05-20T12:12:07","guid":{"rendered":"https:\/\/simonabertozzi.it\/?p=1258&#038;lang=en"},"modified":"2025-02-04T11:32:20","modified_gmt":"2025-02-04T11:32:20","slug":"prometheus-poetry","status":"publish","type":"post","link":"https:\/\/associazioneculturalenexus.org\/en\/prometheus-poetry\/","title":{"rendered":"Prometheus: Poetry"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>PROMETHEUS: POETRY<\/strong><\/p>\n<p><em>Project\u00a0 <\/em> Simona Bertozzi, Marcello Briguglio<\/p>\n<p><em>Choreography<\/em> Simona Bertozzi<\/p>\n<p><em>Dance<\/em>\u00a0 Anna Bottazzi, Arianna Ganassi, Camilla Incerti Vezzani, Giacomo Reggiani, Letizia Violi<\/p>\n<p><em>Music<\/em> Francesco Giomi, Susumu Yokota<\/p>\n<p><em>Light Planning<\/em> Giulia Pastore<\/p>\n<p><i>Management <\/i>Beatrice Capitani<\/p>\n<p><em>Press Office <\/em>Michele Pascarella<\/p>\n<p>&nbsp;<\/p>\n<p><em>Theoretical references<\/em> Salvatore Vigan\u00f2, <em>Prometeo<\/em>, introduction, editing and commentary by Stefano Tomassini, Torino, LegendA, 1999<\/p>\n<p>&nbsp;<\/p>\n<p><em>Production<\/em> Nexus 2015<\/p>\n<p><em>Co-production<\/em> Fondazione Nazionale della Danza\/Aterballetto<\/p>\n<p><em>With the contribution<\/em> of MIBACT e Regione Emilia Romagna<\/p>\n<p><em>In collaborazion with<\/em> Progetto Danza Reggio Emilia<\/p>\n<p>&nbsp;<\/p>\n<p><em>Creative Residence<\/em> Fondazione Nazionale della Danza\/Aterballetto Reggio Emilia<\/p>\n<p>Progetto Danza Reggio Emilia<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p style=\"text-align: right;\"><em>\u201c\u2026Poetry as a tendency towards exactness\u2026&#8221;<\/em><\/p>\n<p style=\"text-align: right;\"><em>Italo Calvino<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u201cPoetry is: action without borders, immensity, harmony, contrast, rhythm, a different order\u2026\u201d<\/em><\/p>\n<p><em>Anna, Arianna, Camilla, Giacomo, Letizia<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>In this third portrait of Prometheus, <em>subtle <\/em>features are found in space, dynamic, aware, luminous.<\/p>\n<p>Five adolescents.<\/p>\n<p><em>Anatomies<\/em> in growth, tending towards verticality and vectorial sense in their acting that remain suspended even when close to the ground, as they\u2019re not inclined to welcome the force of gravity.<\/p>\n<p>There\u2019s a desire for rapid immersion in movement that doesn\u2019t plunge into the vertigo of practice, but that draws, one the side of the slope, the possibility of a new trajectory, of a path to mark with body and following image, regenerating time by time its dynamic coordinates, postures, gazes, and adjacencies. Small flames.<\/p>\n<p>Here, Prometheus\u2019 techniques take on the specific weight of bodies that instantly measure the pulsations of movement, linking the exertion of intention with unexpected fragility, tremors, sleight motions and balancing acts. Youth that sharpens gestures.<\/p>\n<p>Traces of a necessity for exploration, of <em>entering the world,<\/em> that make every gesture and action into a <em>spark, <\/em>a flash of light, an incision, that extends and dislocates, cleaving air and space. Exercises in resistance.<\/p>\n<p>Poetry of the fragmented, of energetic lunges, of plurality.<\/p>\n<p>(Simona Bertozzi)<\/p>\n<p>[vc_row][vc_column][vc_column_text]<\/p>\n<div class=\"page\" title=\"Page 12\"><\/div>\n<div class=\"page\" title=\"Page 12\">\n<p>[gts-pcarousel template=&#8221;simple&#8221; post_type=&#8221;post&#8221; cat_slug=&#8221;kids-and-teens-en&#8221; autoplay=&#8221;4000&#8243; items=&#8221;3&#8243; length=&#8221;excerpt&#8221; read_more=&#8221;Leggi tutto&#8221; link_color=&#8221;&#8221; border_color=&#8221;&#8221; bg_color=&#8221;&#8221; nav=&#8221;1&#8243; pagination=&#8221;0&#8243; slider_id=&#8221;&#8221; link_thumb=&#8221;true&#8221; template=&#8221;template4&#8243; order=&#8221;ASC&#8221;]<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anatomies in growth, tending towards verticality and vectorial sense in their acting that remain suspended even when close to the ground, as they\u2019re not inclined to welcome the force of gravity.<\/p>\n","protected":false},"author":2,"featured_media":1306,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[116,203,200,117,122,121,201,120],"class_list":["post-1258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-contemporary-dance","tag-danza-contemporanea-italiana-en","tag-danza-di-ricerca-en","tag-italian-choreography","tag-italian-dance","tag-italian-performative-arts","tag-simona-bertozzi-en","tag-young-dancers"],"_links":{"self":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/comments?post=1258"}],"version-history":[{"count":0,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/posts\/1258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media\/1306"}],"wp:attachment":[{"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/media?parent=1258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/categories?post=1258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associazioneculturalenexus.org\/en\/wp-json\/wp\/v2\/tags?post=1258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}