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performative arts

choreography, contemporary dance, coreografia, enrico pitozzi, ERT, ERT Emilia Romagna Teatro, Fondo Regionale Danza d'Autore, Fondo Regionale Danza d'Autore, Inkeun Baik, italian choreography, italian contemporary dance, italian contemporary music, italian performative arts, joie de vivre, Katia Kuo, Manolo Perazzi, Marcello Briguglio, Oihana Vesga, performative arts, Sara Sguotti, Simone Fini, Wolf Govaerts
JOIE DE VIVRE
aristide rontini, contemporary dance, coreografia, danza contemporanea, danza contemporanea italiana, danza di ricerca, francesco giomi, italian choreography, italian contemporary dance, performative arts, prometheus, stafania tansini, young dancers
And it burns, burns, burns
coreografia, danza contemporanea, danza contemporanea italiana, danza di ricerca, italian choreography, italian contemporary dance, italian dance, italian performative arts, Performance, performative arts, solo, stafania tansini, walt whitman
Flow on river
contemporary dance, contemporary dance with kids, coreografia, danza contemporanea, danza contemporanea italiana, danza di ricerca, italian choreography, italian contemporary music, italian dance, performative arts, prometheus, young dancers
Prometheus: Architecture
contemporary dance, danza contemporanea, danza di ricerca, francesco giomi, italian choreography, italian contemporary dance, italian contemporary music, italian dance, italian performative arts, performative arts, prometheus, simona bertozzi, stafania tansini
Prometheus: the Gift
angela baraldi, contemporary dance, coreografia, danza contemporanea, danza contemporanea italiana, danza di ricerca, italian choreography, italian contemporary music, italian dance, performative arts, simona bertozzi, walt whitman
We Two—How Long We were Fool’d
contemporary dance, danza contemporanea, danza contemporanea italiana, danza di ricerca, italian choreography, italian dance, italian performative arts, performative arts, prometheus, simona bertozzi
Prometheus: Contemplation
contemporary dance, coreografia, danza contemporanea italiana, danza di ricerca, francesco giomi, italian choreography, italian contemporary music, italian dance, italian performative arts, performative arts, prometheus, stafania tansini
Prometheus: Astronomy
contemporary dance, danza contemporanea, danza contemporanea italiana, danza di ricerca, enrico pitozzi, francesco giomi, italian choreography, italian contemporary music, italian dance, italian performative arts, maria zambrano, performative arts, simona bertozzi, stafania tansini
Animals without fable
contemporary dance, danza contemporanea, danza di ricerca, italian choreography, italian contemporary dance, italian dance, italian performative arts, performative arts, simona bertozzi
Bird’s eye view
amnfredi perego, anderea sassoli, arangelo corelli, danza contemporanea, danza contemporanea italiana, delfico ensemble, erasmus, italian choreography, italian dance, italian performative arts, performative arts, ravenna festival 2013, sara dal corso, simona bertozzi, simona bertozzi
In praise of folly
3/4 had been eliminated, contemporary dance, danza contemporanea, danza contemporanea italiana, italian choreography, italian contemporary music, italian dance, italian performative arts, performative arts, simona bertozzi, susumo yokota
ORPHANS
alice ruggero, andrea sassoli, chiara minoccheri, contemporary dance, danza contemporanea, danza contemporanea italiana, francesco giomi, francesco giomi, italian choreography, italian contemporary music, italian dance, italian performative arts, lucia guarino, manfredi perego, performative arts, simona bertozzi
ORATORI_AE

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PROMETHEUS: CONTEMPLATION

Concept Simona Bertozzi, Marcello Briguglio Choreographer and dancer Simona Bertozzi Music Alva Noto, Alarms Will Sound Light plot Antonio Rinaldi Management Beatrice Capitani Booking Beatrice Capitani Press Office Michele Pascarella Length 20’ min Production Simona Bertozzi Company | Nexus 2015 Supported by Fondazione Nazionale della Danza/Aterballetto With the contribution of MIBACT and Regione Emilia Romagna

“All the arts (come) to the mortals by Prometheus.”

Aeschilus, Chained Prometheus

Prometheus’ aim is to introduce to the human being the capability to made, forge, grow and build. He’s gift is to delve into a practice in which the action becomes complex, focused on the care, on the creative vitality. In this Prometheus: Contemplation abstract, the alone figure which appears doesn’t reveal an incipit of her action or her source. The action score is organized, but the persistence on the practice breaks every time the tactile borders, exposing every motion to the vulnerability of the spotless and hanging present of the stage. A rhythmic gymnasium: in which the rule reversibility and their melting engrave. An action tableau, which contemplation is entrusted to the audience. (S.B.)

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