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What remains

Stefano Tomassini | Teatro e Critica reviews Quel che resta at Prospettiva Danza Teatro

“An essay […] on how expressive research in contemporary dance can rest on dramaturgical foundations that are barely perceptible, yet capable of provoking deep questions.”

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Quel che resta - di simo a bertozzi - ph: Luca Del Pia

What remains

Stefano Tomassini | Teatro e Critica reviews Quel che resta at Prospettiva Danza Teatro

“An essay […] on how expressive research in contemporary dance can rest on dramaturgical foundations that are barely perceptible, yet capable of provoking deep questions.”

Full article

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PROMETHEUS: CONTEMPLATION

Concept Simona Bertozzi, Marcello Briguglio Choreographer and dancer Simona Bertozzi Music Alva Noto, Alarms Will Sound Light plot Antonio Rinaldi Management Beatrice Capitani Booking Beatrice Capitani Press Office Michele Pascarella Length 20’ min Production Simona Bertozzi Company | Nexus 2015 Supported by Fondazione Nazionale della Danza/Aterballetto With the contribution of MIBACT and Regione Emilia Romagna

“All the arts (come) to the mortals by Prometheus.”

Aeschilus, Chained Prometheus

Prometheus’ aim is to introduce to the human being the capability to made, forge, grow and build. He’s gift is to delve into a practice in which the action becomes complex, focused on the care, on the creative vitality. In this Prometheus: Contemplation abstract, the alone figure which appears doesn’t reveal an incipit of her action or her source. The action score is organized, but the persistence on the practice breaks every time the tactile borders, exposing every motion to the vulnerability of the spotless and hanging present of the stage. A rhythmic gymnasium: in which the rule reversibility and their melting engrave. An action tableau, which contemplation is entrusted to the audience. (S.B.)

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What remains

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What remains

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